Skip to main content
OUR SAFEGUARD & WELLNESS PLAN Learn More Close Button
Need time to set up details?
We are happy to send you a reminder while you confirm your booking details.
By submitting this form, you consent to share your personal information with us to service your request and for communication purposes. We do not sell your data to third parties. If you are below 16 years of age, you are required to obtain prior permission from your legal guardian(s). If you wish to access or erase your personal information, you can do so by submitting your details here
Close
  • Lowest Rate Guarantee
  • Late Check Out - 2 PM
  • Free Wi-Fi
  • Take Away Breakfast
Get our best
online rate when
you book direct
16Jan
The Plinth and Monumentality
7:00 PM - 11:59 PM New Museum
Date: January 16, 2020 to January 16, 2020
Where: New Museum, 235 Bowery, New York, New York, United States, 10002
Phone: N/A
Event Type: Arts & Theater, Family
Ticket Price: N/A
Conversations · Exhibition-RelatedThe Plinth and Monumentality
Cover Image:

"Hans Haacke: All Connected," 2019. Exhibition view: New Museum, New York. © Hans Haacke / Artists Rights Society (ARS), New York. Photo: Dario Lasagni

Taking cues from Hans Haacke's sculpture Gift Horse (2014), the panel The Plinth and Monumentality will bring together artist Paul Ramírez Jonas; Kendal Henry, Director of Percent for Art at the NYC Department of Cultural Affairs; and J. Meejin Yoon, Gale and Ira Drukier Dean of the College of Architecture, Art, and Planning at Cornell University, to consider the forms and functions of monuments and memorials today. Several of Haacke's works, including Gift Horse, DER BEVÖLKERUNG [TO THE POPULATION] (2000-ongoing), and his 1993 Venice Biennale pavilion project, Germania, engage particular modes of monumentality and reflect on the creation and maintenance of national identity. In light of recent projects that reimagine the plinth and monumental art as sites for historical narratives of triumph or loss, this evening's conversation will focus on future possibilities for public art.

Beyond decisions about which monuments stay up and which come down, this panel will consider what questions should be asked when designing a monument. In a time when commemorative monuments face heightened scrutiny, how might architects and artists consider liberatory, performative, or ephemeral modes of monument-making? What civic structures can best support new visions for public commemoration? How might a diverse public be ethically and productively engaged in these considerations?Sponsors

Support for Education and Public Engagement programs is provided, in part, by the New York City Department of Cultural Affairs in

Back to top